68 Band

68 Band

John Cipollina, Steve Kimock, Mike Wilheim, Greg Anton

Movie's soundtrack rehearsals
Golden Gate Park
San Francisco, California
march 27, 1986

01. Announcement
02. Instrumental 1
03. Anouncement
04. Instrumental 2
05. Instrumental 3

soundboard recording

This is one of the best piece of instrumental west coast music I ever heard in my life. Those are the r. for the movie "68" (the cover of the vhs is posted below), featuring Neil Young as a motorcycle vendor, and in which you have a short but fantastic live appearance of 68 Band at the Golden Gate Park. The camera open on a John's guitar solo and you can see well Wilheim and the other guys for circa 2 minutes.

68 Band

John Cipollina, Nick Gravenites, Banana, Martin Fierro, Steve Kimock, Greg Anton

Palace of Fine Arts
San Francisco, California
february 18, 1988

06. 68 instrumental Blues
07. Riding With the King
08. Drinkin' Blues
09. Get Together
10. Small Walkin' Box

Really good audience recording with some minor drops and some distortion in some points that does not bother too much. So you know, please do not post the usual boring comments about those flaws.
This is the only live appearance as 68 Band and the show is great and really rare, so it worths to be heard, even if is it not perfect sounding.

Peace! ENJOY!!!

http://www.megaupload.com/?d=PAFNRONF

Booker T and the MG's

Booker T. & the MG's

Winterland

San Francisco, CA

june 8, 1968

Late Show

The late show from June 8, 1968 again finds the band in great form, but with less of a focus on cover material, in a set featuring several of the group’s classic original compositions. The covers they do perform display a wide range of material, from the pop confection of the Association's "Never My Love" to Aretha Franklin's soulful arrangement of "Sweet, Sweet Baby." The group also performs a slow blues number by James Brown, as well as the rock staple "Hey Joe," immortalized by Jimi Hendrix. Some of the band's best original material is featured in this set, including Steve Cropper's "Knock On Wood," "Booker T.'s "Booker Lou," as well as two of their biggest most influential hits, "Hip Hug-Her" and "Green Onions."
In all these performances, it is Booker T'.s massive organ sound that dominates, but it is the accompaniment provided by Cropper, Dunn and Jackson that truly propels the music. The group does not rely on flash or gimmicks, but rather displays a seasoned sense of style that is the epitome of taste and technique. Steve Cropper's economical guitar playing is particularly impressive, always enhancing their groove-heavy Memphis soul.

http://www.megaupload.com/?d=EUB41C94

Booker T and the MG's

Booker T. & the MG's

Winterland

San Francisco, CA

june 8, 1968

Early Show

The early show from June 8, 1968 finds the band in great form, performing instrumental arrangements of many classic songs from the era. Much of this set focuses on highly recognizable covers, such as the Rascals' "Groovin," Bobbie Gentry's smoldering "Ode To Billy Joe" and the Motown classic "You Keep Me Hangin' On," which here owes as much to the organ-heavy Vanilla Fudge arrangement as it does to the original. The band’s own arrangement of Otis Redding's “Dock Of The Bay” is also included, as is a funky take on the classic "Expressway (To Your Heart)."

http://www.megaupload.com/?d=39NNC6P4

Bon Jovi

Bon Jovi

Shibuya Public Hall

Tokyo, Japan

april 28, 1985

This Tokyo show was recorded just a year before the band’s enormous breakthrough album, Slippery When Wet, was cut. The New Jersey quintet proves an entirely capable ‘80s metal hair band on the threshold of widespread commercial success as they perform in front of an audience of seemingly out of control Japanese fans. The magnetic songwriting team of Bon Jovi and Richie Sambora had not yet completely developed, and the material here is, for the most part, void of any radio hits (with the exception of "Runaway").

http://www.megaupload.com/?d=TVG2ER2P

Bobby Bare

Bobby Bare

West Palm Beach

West Palm Beach, FL

january 24, 1986

Outlaw country artist Bobby Bare was always a big draw in the South - especially in Florida - so it was a big deal for the audience when this show was recorded in West Palm Beach in 1986 for the American Eagle Cross Country Radio Concert Series.

http://www.megaupload.com/?d=HVRKOTSD

Bobby Bare

Bobby Bare

Chance

Poughkeepsie, NY

may 28, 1983

Early Show

This early show was dramatically different than its later counterpart, which was to be recorded for a live radio broadcast. Even so, Bare - sloppy and careless as ever as a performer - exudes his country outlaw charisma with conviction during this 13-song set featuring such classics as “Up Against The Wall, Redneck Mother” and “Tequila Sheila.”

http://www.megaupload.com/?d=RW8KI6VS

Late show I`ll post later!!!

Bobby Bare

Bobby Bare

Lone Star Cafe

New York, NY

july 15, 1984

Early Show

Outlaw country singer Bobby Bare recorded several shows during 1983 and 1984 for the Silver Eagle Cross Country Radio Concert Series, including an early and late show at New York’s Lone Star Café on 52nd Street. For this show, he and his band open with “Marie Laveau,” an original that Bare wrote about a legendary New Orleans prostitute. The song’s country-swamp vibe gets his audience in a party mood, and Bare has no problem keeping them there.

http://www.megaupload.com/?d=1CO1YRU9

Bob Marley and the Wailers

Bob Marley and the Wailers

Oakland Auditorium

Oakland, CA

november 30, 1979

Bob Marley had gone from “critic’s darling” and “buzz-driven roots rocker” to bona fide reggae superstar by the time he arrived in Oakland, California in the fall of 1979 to perform this show with his band, the Wailers. Record executive Chris Blackwell might have discovered Marley in his native Jamaica and exposed him to a massive global audience, but it was rock icons like Eric Clapton, who were singing both his praises and his songs, that helped forward Marley’s popularity in America.
This Marley show, recorded less than two years before his untimely death from brain cancer, is similar to the extended performance found on 1978’s Babylon by Bus double live album. Marley lived for the stage, and this show is ample proof that he was one of the most electrifying performers ever to emerge from the international music scene. Like another falling star from an earlier era, Jimi Hendrix, Marley shot across the pop culture landscape like a flaming comet - and before he could be fully recognized for his artistic brilliance - was gone. That’s at least one reason why his legacy has elevated him to near mythical proportions.

http://www.megaupload.com/?d=N9TPBR1Q

Bob Marley and the Wailers

Bob Marley & the Wailers

Music Hall

Boston, MA

june 8, 1978

Late Show

Bob Marley and the Wailers were completely jacked and ready to rock by the time they hit the stage for this, the second of two shows recorded in June 1978 for the King Biscuit Flower Hour. A good deal different than the early show, this recording is a better representation of what Marley did at most of his legendary U.S. concerts.

http://www.megaupload.com/?d=DOZMJXHV

Bob Marley and the Wailers

Bob Marley & the Wailers

Music Hall

Boston, MA

june 8, 1978

Early Show

Bob Marley and the Wailers had finally broken through the American mainstream by the time this show (the first of two recorded for the King Biscuit Flower Hour on the same day) was performed. It had been five years since the Wailers had emerged from Jamaica, on Chris Blackwell’s Island Records, and become the darlings of music journalists with classics such as "Get Up Stand Up," "No Woman, No Cry" and "I Shot The Sheriff," the latter of which Eric Clapton had brought to the U.S. Top 10 charts in '74. Abroad, their infectious blend of reggae had found a solid and well received niche in the pop mainstream, and Marley had become one of the most powerful and influential figures in his native country.

http://www.megaupload.com/?d=X5E9JOZ5

Blondie - 1979.12.01.

Dallas

Dallas, TX

december 1, 1979

The group recorded this show for the King Biscuit Flower Hour in December of 1979, they were at the top of their game with the release of Blondie's fourth album, Eat To The Beat. Although it was a new track at the time, "Dreamin'" would go on to be one its biggest hits. The rest of this short set features classic Blondie songs, even if they are not the biggest hits the band released during this time period. "In The Sun," is one of the better songs Harry ever sang, and the compelling "Sunday Girl," is simply a great pop song.

http://www.megaupload.com/?d=FYAQDSKL

Blackfoot

Blackfoot

Hollywood Palladium

Hollywood, CA

august 10, 1989

The year was 1989; the location, the heart of Hollywood's Sunset Strip. The Palladium, a springboard for boosting numerous "home grown" bands, was unquestionably the place to play. For one night in August, however, the Palladium hardly felt like the usual West Coast hotspot; with Blackfoot on the bill, it belonged to the South. "We were so psyched because we were headlining the Palladium on the Sunset Strip. It was a really big thing for us," recalls Blackfoot co-founding member and frontman Rickey Medlocke. "I remember it as just being a very positive night…and we went out and started kicking major butt!"

http://www.megaupload.com/?d=XKD6P5Q4

Black Oak Arkansas

Black Oak Arkansas

University of Reading

Reading, UK

august 9, 1976

Dandy found himself in a uniquely successful position when he sat down to discuss Black Oak Arkansas' famed 1976 Reading show, which had been recorded and released by the King Biscuit Flower Hour. Speaking of the early years, Dandy relates, “It didn’t take me 30 years to learn how to sing, it took me 30 years to get over all the damage I did when I was at the top of the world.” From 1972 to 1977, Black Oak Arkansas was among the top five money-making bands in the world. They headlined arenas, sold out stadiums and threw all-night parties with the likes of Aerosmith, Kiss and Bad Company. “Most of the big acts opened for us,” remembers Dandy. “Hell, Kiss even burned down one of our backdrops.”

http://www.megaupload.com/?d=EAEOHX3I

Big Brother and the Holding Company

Big Brother & the Holding Company

Fillmore Auditorium

San Francisco, CA

june 16, 1968

This is an excellent partial set from Big Brother and the Holding Company, performed right around the time much of their classic album, Cheap Thrills, was being recorded. Joplin is in fine form here, and fans of James Gurley's grungy psychedelic guitar meltdowns will be delighted.

http://www.megaupload.com/?d=VJZO3735

America

America

Blossom Music Center

Cleveland, OH

september 5, 1982

This recording of America was originally made for the King Biscuit Flower Hour, while the band was on tour with Kenny Loggins. Uniquely, the group had experienced commercial success on two different record labels - first with Warner Brothers', and later, with Capitol Records. Though the group had actually been recorded by King Biscuit earlier, in 1978, this concert features hits from America's years with both labels, and offers a more consummate representation of the group's repertoire. "I remember we were always thrilled to do King Biscuit," Bunnell recalls. "It was exciting if you could hear a group you really loved live. We knew it was a pretty prestigious thing to be on the Biscuit, and I think that was reflected in the energy of the show. It was also a validation of sorts for the two-man version of the band."

http://www.megaupload.com/?d=BRPURLHR

Alice Cooper

Alice Cooper

Saginaw Auditorium

Saginaw, MI

may 10, 1978


This recording was made during Cooper’s early 1978 tour, which he had launched to promote his first live album, The Alice Cooper Show, three years after the original and enormously popular Alice Cooper Band had been dissolved. Cooper himself was trying to make the transition from camp-ish rock ghoul to more mainstream pop icon, as songs like "Only Women Bleed," and "How You Gonna See Me Now?" clearly reveal.

http://www.megaupload.com/?d=ERONOO94

Alice Cooper

Alice Cooper

Los Angeles Forum

Los Angeles, CA

july 27, 1975
The tour from which this concert was recorded (originally in July 1975, for the King Biscuit Flower Hour) is when Vincent Furnier officially became known as Alice Cooper, and the band previously going by that moniker was disbanded. Alice Cooper was the name of a 17th century witch that had come to Furnier during a game of Ouji board. After nearly five years in the international spotlight as the king of shock rock, Cooper had decided it was time to strike out on his own, but unlike most lead singers who are eager to shed the image they had with their initial bands, Cooper made a seamless transition, changing only the musicians.

http://www.megaupload.com/?d=ARH4FJYC

Four Wheel Drive

Four Wheel Drive
A1 festival near Peterborough, England
sunday june 16, 2004

Joost Van Es (Holland) : lead vocals, fiddle
Jan Michielsen (Belgium) : bas, vocals
Clem O'Brien (Ireland): guitar, lead and tenorvocals
Jurgen Biller (Germany) : Banjo, vocals

This is truly an 'international' band. All of its members have played in other European bands like Smoketown Strut, Helmut and the Hillbillies, The Flint Hill Boys, etc. This was the first actual public appearance of this particular lineup of Four Wheel Drive.

01 Road To Colombus
02 Lonely Moon
03 Randy Lynn Rag
04 Don't you believe
05 The day they drove the nails
06 Cattle in the cane
07 Take me back to Tulsa
08 Blue Ridge Mountain Girl
09 Daley's Reel
10 He took your place
11 Me and my fiddle
12 The Cheatin' side of town
13 Foggy Mountain Chimes
14 Thirsty in the Rain
15 Kentucky Waltz
16 East Bound Freight Train + Train 45
17 Next time in Town - Fire on the mountain

http://www.megaupload.com/?d=NU92LMRD

Triumph

Triumph
june 30, 1993.

Milwaukee Summerfest

Milwaukee, Wisconsin

Edge Of Excess Tour

Thanx to HRC!!!

http://www.megaupload.com/?d=CGIPYOPC

Traffic

Traffic

Santa Monica

1972.

Great show!!!

http://www.megaupload.com/?d=8RH9SONA

311

311
november 2, 2002
"Voodoo Music Festival"
Cox Communications Stage
New Orleans, La

Source: AT831's > SBM-1 > M1 Conversion : Archive Python SCSI DAT drive>wav>soundforge 6.0 >

01 Intro
02 Freak Out
03 Homebrew
04 What Would You Do?
05 Unity
06 Eons
07 Champagne
08 Hydroponic
09 Amber
10 Reconsider Everything
11 Beautiful Disaster
12 Jackolantern's Weather
13 Down
14 You Wouldn't Believe
15 All Mixed Up
16 Omaha Stylee
17 Feels So Good

http://www.megaupload.com/?d=1E2EJSG6

38 Special

38 Special

december 19, 1979.

My Father's Place

Old Roslyn, New York

1. Intro >

2. I Been A Mover >

3. Turn It On

4. Stone Clod Believer

5. Rockin' Into The Night

6. The Love That I Lost

7. Who's Been Missin'

8. You're The Captain

9. Robin Hood (fades out at the very end)

10. Reelin' & Rockin

11. Born To Rock & Roll >

12. Outro

1st encore :
13. Crowd

14. Girl From Tennessee

2nd encore :
15. Crowd

16. Big Boss Man *

*with members of the James Cotton blues band.

FM broadcast soundboard recording, when the guys were at the top, smokin' show, excellent sound !
1st generation cassette > behringer ultra curve pro deq 2496 equalizer > tascam cdrw750 > plex tool professional XL > wav > flac > wma

http://www.megaupload.com/?d=FABYQ7QO

Thin Lizzy - november 1981

Thin Lizzy

Hammersmith

november 26 & 27, 1981.

http://www.megaupload.com/?d=5VBDJKBA

http://www.megaupload.com/?d=DX3XMJIN

The Yardbirds feat Jimmy Page

The Yardbirds feat. Jimmy Pagge

march 30, 1968.

Anderson Theater, New York

Arguably the most famous lost live album in history, Live Yardbirds Featuring Jimmy Page, cut at the Anderson Theater in New York on March 30, 1968, has been issued twice on vinyl legitimately (only to be suppressed by legal action) and innumerable times since as a bootleg. In August 2000, Mooreland St. Records put out the first authorized CD edition of the performance, and it is a complete revelation. The original master tape has been improved significantly; the absence of vinyl noise is an obvious plus, but the sheer impact of the instruments is also startling, given that the show was taped by a producer who had never recorded a rock band before, on equipment that was ten years out of date. The producers have expanded this reissue with help from a separate reference tape, an audience recording that preserved the complete unedited show; it's somewhat low-fi, but it captures material edited from the finished master, and it allows for the restoration of little nuances. Page's guitar (which goes out of tune several times) is the dominant instrument, alternately crunchy and lyrical, but always loud and dexterous; the roughness of Keith Relf's singing is also more apparent, but his shortcomings don't really hurt the music. The performance also reveals just how far out in front of the psychedelic pack the Yardbirds were by the spring of 1968; Page had pushed the envelope about as far as he could, in terms of high-velocity guitar pyrotechnics. Ironically, this album isn't quite as strong as the contemporary Truth album by Jeff Beck, mostly because the Yardbirds were still juggling three sounds: the group's progressive pop/rock past, the psychedelia of 1968, and a harder, more advanced blues-based sound. It's clear that they had few places left to go with the first two; "Dazed and Confused," by contrast, represented something new, a slow blues as dark, forbidding, and intense as anything that the band had ever cut -- it showed where Page, if not this band, was heading.(Bruce Eder, All Music Guide)This album was originally recorded in 1968 during The Yardbirds' final incarnation, which featured Jimmy Page as the band's fourth guitarist. The band played a live gig at the Anderson Theater in New York in March of '68 that was recorded for possible issuance as a live album; however, when the band heard the tapes, they decided against its release. Four months later, The Yardbirds were history. In 1971, the band's old U.S. label released the album to capitalize on Page's sudden success with Led Zeppelin. Page quickly got an injunction against the label, and album was withdrawn from the market. The vinyl version of the album is very scarce

http://www.megaupload.com/?d=PX3YY2K4

Black Sabbath - 2004. Camden, USA - Ozzfest

Black Sabbath
2004.
Camden, USA
Ozzfest
(Soundboard)

Black Sabbath in USA, Camden, Ozzfest 2004 with Rob Halford on vocals.Ozzy was sick that night, so... the "Metal God" came in as a replacement.And what a replacement it was! The quality of this show is simply amazing.

Lineup:
Rob Halford/Vocals, but only for the night...
Tony Iommi/Guitar, Lead Guitars
Geezer Butler/Bass Guitar
Bill Ward/Drums, Percussions

Soundboard: A++Quality 10/10

Setlist:
01. War Pigs 8:29
02. N.I.B. 5:09
03. Fairies Wear Boots 6:06
04. Into The Void 6:46
05. Black Sabbath 8:40
06. Iron Man 7:08
07. Children Of The Grave 4:58
08. Paranoid 3:54

http://www.megaupload.com/?d=FIHJZV9X

April Wine - october 1, 1982

April Wine
Kansas Coliseum
Wichita, KS
10/01/1982

Anything You Want, You Got It 6:57
Future Tense 4:19
Crash & Burn 3:51
Before The Dawn 4:40
Waiting On A Miracle 5:03
Enough Is Enough 4:23
If You See Kay 4:33
Just Between You And Me 3:53
Sign Of The Gypsy Queen 6:44
21st Century Schizoid Man 5:12
I Like To Rock 3:15
Roller 4:40
Oowatanite 4:27
All Over Town 3:22

Myles Goodwyn - vocals, guitar
Steve Lang - bass
Jerry Mercer - drums
Brian Greenway - guitar
Gary Moffett - guitar

http://www.megaupload.com/?d=KLK5RA67

Atlanta Rhythm Section

Georgia Theatre
Athens, GA
10/08/1978

Back Up Against The Wall 5:00
Champagne Jam 4:43
Conversation 4:32
So Into You 6:41
Imaginary Lover 5:25
Another Man's Woman 4:35
Jam 9:40
Rocky Raccoon 2:23
Long Tall Sally 3:30

Ronnie Hammond - vocals
Barry Bailey - guitars
Dean Daughtry - keyboards
Paul Goddard - bass
J.R. Cobb - guitar, vocals
Robert Nix - drummer

http://www.megaupload.com/?d=QELFLMUH

Berlin

Savoy
New York, NY
03/19/1983

Time Masquerade 5:00
The Metro 4:48
Pictures of You 5:59
World of Smiles 3:57
Now It's My Turn 4:18
Touch and Go 3:47
Lost In The Crowd 4:42
Pleasure Victim 4:09
Rumor Of Love 4:49
Touch 3:33
Tell Me Why 5:42
Sex (I'm A..) 7:40
Dancing In Berlin 6:03
When We Make Love 7:12

Terri Nunn - vocals
John Crawford - bass
David Diamond - keyboards
Matt Reid - keyboards
Rick Olsen - guitars
Rob Brill - drums

http://www.megaupload.com/?d=VIXC6P94

Bryan Ferry

Bottom Line
New York, NY
06/23/1977
Early Show

Let's Stick Together 3:41
Shame, Shame, Shame 3:25
Roadrunner 3:04
All Night Operator 3:08
You Go To My Head 3:03
Could It Happen To Me? 3:36
In Your Mind 4:36
Casanova 3:07
Love Me Madly Again 8:45
Love Is The Drug 3:50
Tokyo Joe 3:35
This Is Tomorrow 3:03
The "In" Crowd 5:18
A Hard Rain's A-Gonna Fall 6:36
Price Of Love 5:12

Bryan Ferry - lead vocals, keyboards
Chris Spedding - guitar
Phil Manzanera - guitar
Mel Collins - saxophone
Chris Mercer - trumpet
Martin Drover - saxophone
David Skinner - keyboards
John Wetton - bass
Paul Thompson - drums
Jacqui Sullivan - vocals
Doreen Chanter - vocals
Helen Chappelle - vocals

http://www.megaupload.com/?d=C01D6PSO

Bryan Ferry

Bottom Line
New York, NY
06/23/1977
Late Show

Let's Stick Together 3:15
Shame, Shame, Shame 3:14
Roadrunner 3:01
All Night Operator 3:01
You Go To My Head 3:00
Could It Happen To Me? 3:31
In Your Mind 4:37
Casanova 2:59
Love Me Madly Again 10:19
Love Is The Drug 4:00
Tokyo Joe 3:29
This Is Tomorrow 3:01
The "In" Crowd 5:18
A Hard Rain's A-Gonna Fall 6:37
Price Of Love 5:26

Bryan Ferry - lead vocals, keyboards
Chris Spedding - guitar
Phil Manzanera - guitar
Mel Collins - saxophone
Chris Mercer - trumpet
Martin Drover - saxophone
David Skinner - keyboards
John Wetton - bass
Paul Thompson - drums
Jacqui Sullivan - vocals
Doreen Chanter - vocals
Helen Chappelle - vocals

http://www.megaupload.com/?d=JXJRTSL0

April Wine - 1984.09.01.

Ottawa Civic Center
Ottawa, Canada
09/01/1984

Before The Dawn 4:33
This Could Be The Right One 4:35
The Sign Of The Gypsie / Roller 9:58
Anything You Want 4:08
I Like To Rock 4:07
All Over Town 3:19
Future Tense 4:16
Enough Is Enough 4:03
Just Between You And Me 3:57
You Could Have Been A Lady 4:04

Myles Goodwyn - vocals, guitar
Steve Lang - bass
Jerry Mercer - drums
Brian Greenway - guitar
Gary Moffett - guitar

http://www.megaupload.com/?d=QROGLGZH

Ace`s Frehley's Comet - 1994.xx.xx.

1994
Boston

Detroit Rock City
Shock Me
Snowblind
Breakout
Shot Full Of Rock
New York Groove
Strange Ways
Talk To Me
Cold Gin
Rock Soldiers/Ace`s Guitar Solo
StrutterShe
Rocket Hide
Deuce/Jam

http://www.megaupload.com/?d=MFDR1GD7

Accept - 1984.05.27.

The Agora
Cleveland, Ohio
may 27, 1984

Fast As A Shark
Losers And Winners
Turn Me On
Princess Of The Dawn
Neon Nights
Fight It Back
London Leatherboys
Balls To The Wall
Head Over Heels
Flash Rockin` Man

http://www.megaupload.com/?d=CD4T400U

Accept - 1984.04.13.

Agora Ballroom
Cleveland, OH
04/13/1984

This recording was made right after the release of Accept’s fifth album, Balls to the Wall - seven years after vocalist Udo Dirkschneider formed his powerful German metal band in Cologne. Though the group had become a festival/arena headlining act in Europe, they were virtually unknown in the U.S., and this was their first American tour. Balls to the Wall was also their debut album in America, and was backed heavily by the SONY-owned imprint, Portrait Records.

http://www.megaupload.com/?d=E5Z41N72

Accept - 1984.08.18.

august 18, 1984
Monsters of Rock

Fast As A Shark
Turn Me On
Princess Of The Dawn
Guitar Solo
Son Of A Bitch
London
Leatherboys
Balls To The Wall

http://www.megaupload.com/?d=OW0LB1O0

357 - 2006.08.xx.

Guitar Festival
Zajecar, Serbia
august 2006





Devojka iz grada
Idem na selo
I Can't Get You Out Of My Head
Priroda
?
Nema razlike
Sad
Dan Svetog Ilije
Znas li ko te ljubi silno
Cigane
357

Nikola Hadzi-Nikolic - vocal, lyrics
Nenad Bojkovic - guitar
Nebojsa Potkonjak - troumpet
Zoran Cvetkovic - troumpet
Nebojsa Cankovic - guitar
Djordje Petrovic - DJ

Band 357 music is caracterized by heavy guiatrs, agresive troumpets
and profound lyrics. u can`t put them in any category, cause they
don`t want to be recognized in any style. Their first live shows were held in club ``Magnum``, Zemun, Serbia.
The name of the band is related with gun magnum 357. At the beggining
they played tribute to Nirvana, RHCP, Faith No More,etc.

Discography :
- Pianissimo
- Domaci zadatak
- III
- Iz gazda Zikine kuhinje
- Made in Serbia

http://www.megaupload.com/?d=8PT0ZSI1

Emerson, Lake & Palmer

Mid South Coliseum
Memphis, TN
11/20/1977
Late Show

Peter Gunn Theme 3:51
Hoedown 3:59
Tarkus 17:12
Take A Pebble 12:55
C'Est La Vie 4:30
Lucky Man 3:14
Pictures At An Exhibition 15:53
Karn Evil 9 4:56
Tiger In The Spotlight 4:09
Watching Over You 4:30
Medley: Tank / Enemy God 12:08
Nut Rocker 4:09
Pirates 14:30
Fanfare For The Common Man / Rondo ... 16:06
Show Me The Way To Go Home 5:10

Keith Emerson - keyboards
Greg Lake - lead vocals, bass, guitars
Carl Palmer - drums, percussion

http://www.megaupload.com/?d=2NMAE85X

Elvis Costello & the Attractions - 1984.08.11.

Philadelphia Spectrum
Philadelphia, PA
08/11/1984

Let Them Talk 2:56
The Greatest Thing 3:08
Mystery Dance 3:12
Shabby Doll 5:18
Girls Talk 4:27
Worthless Thing 3:27
So You Want To Be (A Rock 'N' Roll...) 2:22
I Wanna Be Loved 5:29
Sour Milk-Cow Blues 2:46
Lipstick Vogue 4:20
Watching The Detectives 6:25
Shipbuilding 5:05
King Horse 5:06
Beyond Belief 4:00
Clubland 5:36
Inch By Inch 3:56
The Deportees Club 3:40
Everyday I Write the Book 4:44
The Only Flame in Town 3:45
Getting Mighty Crowded 4:14
Alison 4:17
Home Truth 3:50
Pump It Up 8:46

Elvis Costello - guitar, vocals
Steve Nieve - keyboards
Pete Thomas - drums
Bruce Thomas - bass

http://www.megaupload.com/?d=7JNZN64U

Elvis Costello & the Attractions - 1978.06.07.

Winterland
San Francisco, CA
06/07/1978

Time Mystery Dance 2:08
Lip Service 2:23
(The Angels Wanna Wear My) Red Shoes 2:47
Goon Squad 3:31
Less Than Zero 3:33
Blame It On Cain 3:55
The Beat 3:19
This Year's Girl 3:15
(I Don't Want To Go To) Chelsea 3:57
Pump It Up 3:44
Radio, Radio 2:30
Lipstick Vogue 4:40
Watching The Detectives 6:07
Party Girl 3:07
You Belong To Me 3:25
I'm Not Angry 5:19

Elvis Costello - vocals, guitar
Steve Nieve - organ
Bruce Thomas - bass
Pete Thomas - drums

http://www.megaupload.com/?d=P7JS7JRE

Duran Duran - 1982.12.31.

Palladium
New York, NY
12/31/1982

Rio 6:20
Hold Back The Rain 4:16
New Religion 5:46
Save A Prayer 6:45
Hungry Like The Wolf 4:26
Planet Earth 4:25
Careless Memories 4:11
Girls On Film 8:18

Simon LeBon - vocals
Andy Taylor - guitar
John Taylor - bass
Nick Rhodes - keyboards
Roger Taylor - drums
Andy Hamilton - saxophone, keyboards

http://www.megaupload.com/?d=X8JHN4DA

Duran Duran - 1982.11.16.

Hammersmith Odeon
London
11/16/1982

This recording was done in the band’s native U.K., at the famed Hammersmith Odeon in London. The band had already topped the U.K charts with “Girls On Film” and “Planet Earth,” and their current LP at the time, Rio, had become a simultaneous hit on both sides of the Atlantic with the songs “Hungry Like The Wolf” and “Save A Prayer.”

http://www.megaupload.com/?d=83R9O69U

Dr. Hook & the Medicine Show - 1978.01.25.

Bottom Line
New York, NY
01/25/1978
Early Show

This recording was done after the band had seen their biggest commercially successful days. Recorded at New York’s Bottom Line club, it was aired in 1978 on the King Biscuit Flower Hour. They close this show with a safe-as-milk cover of the Roy Rogers anthem, “Happy Trails.”

http://www.megaupload.com/?d=BSSINKRH

Reo Speedwagon - 2007.07.25.

Twin Rivers Event Center
Lincoln, RI
july 25, 2007

cd1
01. Intro/ Find Your Own Way Home
02. Take It On The Run
03. Keep Pushin
04. I Needed to Fall
05. Tough Guys
06. I Can't Fight This Feeling
07. Dangerous Combination
08. Back On The Road Again

http://www.megaupload.com/?d=26GXOEW0

cd 2
09. Smilin In The End
10. Time For Me To Fly
11. Don't Let Him Go
12. Keep On Loving You
13. Roll With The Changes
14. Riding The Storm Out
15. 157 Riverside Avenue

http://www.megaupload.com/?d=WUYD1Q4U

Dr. John - 1978.11.08.

Bottom Line
New York, NY
11/08/1978
This recording, along with a series of other shows around the time, was cut at New York’s famed Bottom Line club. The Doctor, as he is often called, was promoting his City Lights album on the now-defunct Horizons/A&M jazz-pop label. City Lights, which features an eerie painting of the New York City skyline that shows the World Trade Center melting down as dripping, burning candles, is now out of print but has long been regarded as one of his best studio album’s ever.

http://www.megaupload.com/?d=WS8UE3J1

Dr. John - 1978.11.07.

Bottom Line
New York, NY
11/07/1978
Dr. John, whose real name is Mac Rabennack, recorded this show on the first of two nights when he held court at New York’s famed Bottom Line. Dr. John had left Atlantic/Atco Records (where he had recorded since 1967) and was on A&M’s jazz-pop imprint, Horizon Records. Although he had his biggest commercial hits while on the Atco label, he made some of his best recordings during this period on Horizon.

http://www.megaupload.com/?d=K3WDJK2P

The Dixie Dregs - 1979.06.17.

Sigma Sound Studios
Philadelphia, PA
06/17/1979

Introduction 0:08
Freefall 4:30
Country House Shuffle 3:51
Moe Down 3:51
Ice Cakes 5:46
Travel Tunes 4:04
Night Of The Living Dregs 4:06
Night Meets Light 9:08
Punk Sandwich 3:22
The Bash 6:29
Cruise Control 6:41
Take It Off The Top 4:42

Rod Morgenstein - drums
Steve Morse - guitar
Allen Sloan - electric violin
T. Lavitz - keyboard
Andy West - bass

http://www.megaupload.com/?d=WN3563CN

Electric Light Orchestra - 1976.02.14.

Winterland
San Francisco, CA
02/14/1976

Date Night 1976: It’s Valentine’s Day at San Francisco’s legendary Winterland Theater and Electric Light Orchestra, with their heavily orchestrated pop-sound, is supplying the soundtrack.
Electric Light Orchestra was at the top of their game when this concert was recorded. The band was right in the middle of a run of Top 10 hits that started in 1973 (with their second LP, ELO II), and continued throughout the rest of the ‘70s. ELO (which, like ELP and CSN became the band’s name when most DJs chose not to spit out their full name), was hawking their fifth studio album in four years, Face The Music.

http://www.megaupload.com/?d=CFZVWZJL

Dokken - 1984.02.26.

Milwaukee Arena
Milwaukee, WI
02/26/1984 This short opening set, recorded as part of a King Biscuit Flower Hour broadcast, shows the bands in their initial stage before all the fame and MTV exposure set in. They would go on to have a strong career in the metal scene, both here and abroad, before splintering into different projects in the late 1980s, when George Lynch decided to launch his own band, Lynch Mob. This original lineup did reunite again between 1992 and 1998 and made both studio and live albums, but by then the metal scene had changed dramatically, and they split again at the turn of the decade.

http://www.megaupload.com/?d=JVWCNHN9

Dire Straits - 1983.05.08.

Hammersmith Odeon
London
05/08/1983

By the time Dire Straits recorded this show for the King Biscuit Flower Hour at London’s famed Hammersmith Odeon Theater in the spring of 1983, they had become one of the most critically acclaimed rock bands on the planet. With singer/songwriter/guitarist Mark Knopfler at the helm, they had already released three platinum albums, and were out with a brand new fourth album, entitled Love over Gold.

http://www.megaupload.com/?d=89HGRH8I

Dire Straits - 1981.01.01.

Central Park
New York, NY
01/01/1981

Recorded on New Year’s Day 1981, this concert captures the original four-piece lineup of Dire Straits, before rhythm guitarist David Knopfler departed to pursue a solo career. Shortly thereafter, his brother, Mark, would take control of the band, and eventually parlay his piloting role into a successful solo career of his own.

http://www.megaupload.com/?d=Q6FHTF65

Devo - 1981.11.05.

Orpheum Theatre
Boston, MA
11/05/1981

This is not a complete show, since only nine songs appear; but what is here is pretty good. Some of the band’s most popular songs are featured, including “Jerkin’ Back N’ Forth,” “Girl U Want” and “Whip It,” which receives a huge response from the crowd. Their version of the Lee Dorsey R&B classic “Working In The Coal Mine” (written by New Orleans legend Allen Touissant) is quite amusing and somewhat catchy, despite its obvious novelty arrangement.

http://www.megaupload.com/?d=66TCBV6B

Dio - 1984.08.25.

Spectrum
Philadelphia, PA
08/25/1984

Ozzy may be the Prince of Darkness, but Ronnie James Dio is the Elfin King of Evil!

Performance values and technical ability have been all but abolished from rock 'n' roll. Attempting anything even remotely approximating a Dio show could potentially get a band laughed off the stage - and that’s what makes it great. It takes guts and no small amount of talent to pull this off, and if done correctly, no one can deny its entertainment value. So, stand up and shout! This is DIO!

http://www.megaupload.com/?d=Q98EZZEN

Rick Derringer - 1983.09.13.

Palladium
New York, NY
09/13/1983

Guitars and Women 4:00
On My Way Up 4:08
Party At The Hotel 4:12

Rock And Roll Hoochie Koo 8:25
Let Me In 3:30
Beyond The Universe 4:52
Jump Jump Jump 7:51
Just Another Night (Featuring Ian Hunter) 6:33
All The Young Dudes (Featuring Ian Hunter) 8:02
Right Place, Wrong Time 5:35
Hang On Sloopy (Featuring Rick Derringer) 3:59

Rick Derringer - guitar, vocals
Benjy King - keyboards, vocals
Jimmy Wilcox - drums, vocals
Donnie Kisselback - bass, vocals
Guest: Ian Hunter - vocals
Guest: Dr. John - guitar, vocals
Guest: Edgar Winter - keyboards, vocals
Guest: Lorna Luft - vocals
Guest: Daryl Hall - vocals
Guest: John Oates - vocals
Guest: Mickey Curry - drums
Guest: T-Bone Wolk - bass

http://www.megaupload.com/?d=HJVNL2C9

Miles Davis - 1971.05.07.

Fillmore West
San Francisco, CA
05/07/1971

Honky Tonk 7:46
What I Say 10:35
Drum Solo 3:44
Sanctuary 3:29
It's About That Time 19:34
Funky Tonk (Incomplete) 14:17
Sanctuary (Closing Theme) 0:55
Outro 0:11

Miles Davis - trumpet
Gary Bartz - saxophone
Keith Jarrett - keyboards
Michael Henderson - bass
Jack DeJohnette - drums
Airto Moreira - percussion

http://www.megaupload.com/?d=XS95LY7S

Kiki Dee - 1978.12.11.

Bottom Line
New York, NY
12/11/1978
Early Show


http://www.megaupload.com/?d=UKK4ZD4L

Rick Danko - 1977.12.20.

Bottom Line
New York, NY
12/20/1977
Late Show

Loving You Is Sweeter Than Ever 3:55
Small Town Talk 3:06
The Weight 4:13
Tired Of Waiting 3:34
Christmas Must Be Tonight 4:01
What A Town 3:28
Java Blues 5:12
Brainwash 3:32
This Wheel's On Fire 4:11

Rick Danko - vocals, bass
Terry Danko - guitar, vocals
Michael DeTemple - guitar
Walt Richmond - keyboards
Marty Greb - organ
Jerry Peterson - saxophone
Danny Seiwell - drums

http://www.megaupload.com/?d=HFJZ088X

Phil Collins - 1982.12.16.

Berkeley Community Theatre
Berkeley, CA
december 16, 1982.

Thunder and Lightning 4:29
Interlude 1:22
I Cannot Believe It's True 5:15
This Must Be Love 4:23
Interlude 2:19
Thru These Walls 5:29
Interlude 0:24
I Missed Again 3:40
Behind The Lines 4:15
You Know What I Mean 3:08
The Roof Is Leaking 3:33
Don't Let Him Steal Your Heart Away 5:51
The West Side 6:35
If Leaving Me Is Easy 7:46
In The Air Tonight 6:16
Band Introduction 6:58
Like China 5:29
You Can't Hurry Love 3:32
It Don't Matter To Me 4:19
Hand In Hand 8:12
Crowd 2:21
. . . And So To F . . . 8:48
Crowd 1:13
People Get Ready 3:57

Phil Collins - vocals, drums
Daryl Stuermer - guitar
Chester Thompson - drums
Peter Robinson - keyboards
Mo Foster - bass
The Phoenix Horns - Don Myrick, Louis Satterfield, Rhamlee Michael Davis, Michael Harris

Now @ 320!!!

http://rapidshare.com/files/76292285/PhilCollinsdec1682__320_01.zip
http://rapidshare.com/files/76309714/PhilCollinsdec1682__320_02.zip
http://rapidshare.com/files/76318889/PhilCollinsdec1682__320_03.zip

AC/DC - 1977.xx.xx.

http://rapidshare.com/files/38139951/nnmmCCDDCCDD.zip

The Doors - Un Film D`Oliver Stone

The Doors - Un Film D' Oliver Stone
Rare, french promo CDUne Exclusivite max

1.Light My Fire (extrait)

2.Touch Me

3.L.A. Woman (extrait) / Moonlight Drive

4.The End (extrait)

Et des extraits d'interview de Ray Manzarek1991 Carolco International NVMAX CD 01

http://rapidshare.com/files/26506014/ZZZLes_Doorzzz.rar

Grateful Dead - 1985.10.31.

Carolina Coliseum, University of South Carolina

Columbia, SC
October 31, 1985

Disc I
Set 1
1. Space->
2. Werewolves of London ->
3. Music Never Stopped
4. West LA Fadeaway
5. Mama Tried->
6. Mexicali
7. Tennessee Jed
8. Looks Like Rain->
9. Mighty Swell

Disc II
Set 2
1. Crowd
2. Shakedown->
3. Playin'->
4. Ship of Fools ->
5. Playin'->
6. Drums->
7. Space->
8. Dear Mr. Fantasy->
9. NFA
10. E: U.S. Blues

http://www.megaupload.com/?d=1ADAG6R1
http://www.megaupload.com/?d=HTOHU2YI

Derek & the Dominos - 1970.10.23.

Fillmore East
New York, NY
10/23/1970
Late Show
This is a complete recording of the late show Derek and the Dominos played as headliners over Ballin’ Jack and Humble Pie at the Fillmore East.
After months touring with Delaney and Bonnie and collaborating with them on his first solo album, Clapton took the nucleus of his band - Whitlock, Radle and Gordon - and formed Derek and the Dominos. By 1970, Clapton had amassed an impressive catalogue on which to draw, and these musicians jelled in a way that certainly brought out the best in the material. For many fans, this quartet was the most consistently exciting group Clapton ever toured with, and these concerts feature some of the most passionate live playing of his career.

http://www.megaupload.com/?d=06PHYPW5

David Bowie - 1983.07.12.

Montreal Forum
Montreal, Quebec
07/12/1983
Late Show

A must for all Bowie fans; proof that, no matter what the persona, the man could rock out with the best of them.

pass ----- dexondaz
http://www.megaupload.com/?d=UQ6IZS45

David Bowie - 1983.07.12.

Montreal, Quebec
07/12/1983
Early Show

Smiling and obviously happy with his newfound artistic muse, David Bowie greeted a sold out Montreal forum on this night, and launched into a brilliant show full of both hits from Let’s Dance and some of the more radio-friendly tracks he had done during his Berlin sojourn. Fronting a killer band, Bowie began the evening with three lesser known hits - "Look Back In Anger," "Breaking Glass" and "Scary Monsters (And Super Creeps)" - before launching into "Rebel, Rebel," his 1974 hit single from the Diamond Dogs LP. This tour reunited Bowie with guitarist Earl Slick, who had replaced Mick Ronson for the Diamond Dogs recording sessions. Slick delivers the rock edge that had been missing from his music made during the Berlin years. The band is propelled by former Chic/Power Station drummer Tony Thompson, who, along with members of the Tower of Power horn section, helps make this one of the best backing bands in his long musical career.

pass ----- dexondaz
http://www.megaupload.com/?d=3B79EOVD

Los Lobos - 1985.12.31.

Fillmore Auditorium
San Francisco, CA
12/31/1985

Auld Lang Syne 4:25
Will The Wolf Survive? 3:20
Think It Over 3:26
Come On, Let's Go 2:44
The Mess We're In 4:20
Our Last Night 3:37
How Much Can I Do? 3:00
Anselma 4:07
Is This All There Is? 4:12
A Matter Of Time 3:44
Evangeline 2:58
I Got Loaded 3:38
Let's Say Goodnight 4:11
Serenata Nortena 3:14
Corrido #1 2:51
Volver, Volver 5:06
We're Gonna Rock 2:48
Hardest Time 4:42
Don't Worry Baby 3:14
300 Pounds Of Heavenly Joy 6:05
Band Introduction 1:51
Walking With Frankie Lee 3:03
Medley: Mountain Jam / I'm A Girl ... 2:32
La Bamba 4:40
The Town I Live In 5:57
Why Do You Do 4:15
Crossroads 4:55
I'm Gonna Be A Wheel Someday 2:52

Steve Berlin - harmonica, percussion, saxophone
David Hidalgo - guitar, percussion, pedal steel
Conrad Lozano - bass, guitar
Louis Perez - drums, guitar
Oscar Roasa - guitar, mandolin, vocals
Cesar Rosas - guitar, vocals, mandolin

pass ----- dexondaz
http://www.megaupload.com/?d=35GG2XJR

Eric Clapton - 1978.02.12.

Santa Monica Civic Auditorium
Santa Monica, CA
02/12/1978

Recorded at the end of his Slowhand ‘77/’78 tour, this blistering Eric Clapton show, originally recorded for the King Biscuit Flower Hour radio show, is an excellent example of how amazing a live artist the man had become by the late 1970s. Freed of his drug and alcohol demons, Clapton had finally assembled a backup band that gave him both the freedom both to step forward and control the starlight or sink into the cohesion of being just another member of the band.

pass ----- dexondaz
http://www.megaupload.com/?d=9DO3VV5S

Eric Clapton - 1985.04.22.

Richmond Coliseum
Richmond, VA
04/22/1985


This Clapton show was recorded in the spring of 1985, one month after the release of Behind the Sun, the Phil Collins-produced studio album that would place him back atop FM radio playlists with singles “She’s Waiting” and “Forever Man.” Clapton had assembled a crackerjack band comprised of most the musicians who appeared on the album - a crew including former Joe Cocker keyboardist Chris Stainton, ex-Fairport Convention guitarist Tim Renwick, future Little Feat vocalist Shaun Murphy and Donald “Duck” Dunn, bassist from the legendary Booker T. & the MG's.

http://www.megaupload.com/?d=O14R8XB4

Joe Cocker - 1982.08.01.

Chance
Poughkeepsie, NY
08/01/1982



Joe Cocker had come a long way from being a bar singer in Sheffield, England when he made this recording for the King Biscuit Flower Hour at the historic Chance club in the New York suburb of Poughkeepsie, NY, in 1982. It had been 13 years since Cocker performed at Woodstock and became a worldwide sensation with his thrilling performance that later appeared in the filmed documentary of the event, and Cocker had released several hits since then.

http://www.megaupload.com/?d=JSMUNWJS

Ry Cooder - 1974.07.07.

Record Plant

Sausalito, CA

july 7, 1974.

Police Dog Blues 3:53

F.D.R. In Trinidad 3:23

If Walls Could Talk 4:02

Tamp 'Em Up Solid 3:50

Ax Sweet Mama 4:13

Billy The Kid 6:14

Vigilante Man 5:06

How Can A Poor Man Stand Such Times... 6:37

Tattler 3:59

Comin' In On A Wing And A Prayer 5:17

Alimony 4:07

Teardrops Will Fall 3:33

I'm A Pilgrim 2:56

Ry Cooder - guitars, vocals, mandolin

Jim Dickinson - bass

Jim Keltner - percussion, drums

Milt Holland - percussion, drums

Bobby King - backing vocals

Gene Mumford - backing vocals

Cliff Givens - backing vocals

http://www.megaupload.com/?d=URX7XO4K

Clarence Clemons & the Red Bank Rockers - 1983.11.25.

Ripley's Music Hall
Philadelphia, PA
11/25/1983
Early Show


Clarence Clemons, also known as “The Big Man” in his other life as a member of Bruce Springsteen’s E Street Band, had a viable solo career when he released a couple of successful albums in the mid-1980s. This show was recorded at the onset of his first solo U.S. tour, at Ripley’s Music Hall in Philadelphia, a favorite spot of the Springsteen crowd.

http://www.megaupload.com/?d=ANFCAAH8

A Flock of Seagulls - 1983.06.01.

It must have been quite the sight when members of A Flock of Seagulls walked through the backstage entrance of the famed Grand Ole Opry Theater in Nashville to perform this show on their 1983 U.S. tour. Granted the mostly country western music venue also presents rock and R&B concerts, but still, those good 'ole boys in the stage-hand’s union must have done a double take when the eccentric '80s new wave group showed up for sound check.Whatever happened backstage, the Seagulls went down extremely well in front of this mostly Nashville audience. The group, which first came to national attention in 1982 with their hit single “I Ran (So Far Away)” was touring mostly off the success from the heavily rotated MTV video. Formed by hairdressers Mike Score and Frank Maudsley, the group had initially made a name for themselves more for their wildly teased hairdos and futuristic fashions than their music. The band was here to prove they could play - if you count the heavily pre-programmed synths and drums playing - and they do indeed deliver, especially with an eight-minute version of “Committed,” the musical highlight of the show.

http://www.megaupload.com/?d=S23L0O0W

Parni Valjak - 1976.03.xx.

march 1976
Osijek, Yugoslavia

Parni Valjak ("Steamroller" in Croatian) is an eminent Croatian rock band from Zagreb. It was one of the most important acts of the former SFR Yugoslav Pop Rock scene.

http://www.megaupload.com/?d=DLA2JXZT